But it can feel very scary at the moment that you’re at the emotional pitch of releasing a movie to take it in. Film criticism matters to me as a person and also being in conversation with people who think about cinema matters. There’s a lot of reviewers that I really respect and have really liked. I was like go to sleep, wake up, caffeinate, get your kid to summer camp and then find out where we are. I didn’t actually look last night because I just knew I would be too anxious. I’m wondering if you engage with those and how you’re feeling? Remarks have been lightly edited for brevity and clarity.ĪP: Reviews for “Barbie” came out (Wednesday) and are very positive. Gerwig spoke to the AP this week about the film, the reviews, the tension between art and commerce, and the unlikely connection between “Barbie” and “Oppenheimer.” (Hint: It’s not just the release date.) She co-wrote it with her partner, Noah Baumbach, with whom she shares two sons - a toddler and a five-month-old whom they welcomed into the world while getting “Barbie” out to the world. Her “Barbie,” which releases in theaters on Friday, is a joyful, maximalist, deeply weird, insightful and defiantly pink confection starring Margot Robbie and Ryan Gosling. “Because I thought we’ll never make any movies again, but if they’re going to, I’d like this.” “I wanted to channel something that had that ache in it, but also something so wild and unruly and something that was so just spilling out over the edges of it that you want to be in a group and see it big,” Gerwig told The Associated Press this week. Greta Gerwig, the Oscar-nominated filmmaker behind “Little Women” and “Lady Bird,” started dreaming it up at a time when she wasn’t sure movies would ever come back. Barbie, the doll, may be 64 years old, but “Barbie,” the movie, is a pandemic baby.
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